Only when you've succeded in playing exactly and evenly all the notes of a scale you should start increasing speed. Start playing slowly and strive for accuracy. That's why it is a good idea to take the time to practice them thoroughly.īut be careful: don't rush! Practice really needs time. Finally, the chart on the last page features a good list detailing why certain pitches lean flat and why other may lean sharp.Scales are the most basic building blocks in music.
#Tuner online flute pdf#
Like the PDF above, this also contain a handy worksheet for students to test their own pitch tendencies (although I would have liked to see more space to write possible solutions.). I also like the short notes on the gizmo key and use of harmonic fingerings. Blank Pitch Tendencies 2.2 I am not sure which book this came from (if you know, please comment below!), but this is another good resource fo r the visual learner who likes to use colors and figures to understand new concepts. I really like her simple, yet effective suggestions for common flute tuning issues.Ĥ.
#Tuner online flute how to#
Jen explains just how temperature affects the flute, how to tune in ensembles, using a tuning CD, and addresses basic tuning issues we all encounter at one time or another. Jen Cluff’s Flute Tuning “How To” This resource is great as an FAQs for flute tuning. I may be borrowing this page as an exercise for my own studentsģ. I also really enjoy the last page, which is essentially a worksheet for students to map out the intonation tendencies of their own instrument. The chromatic scale on page 1 is a straight-forward approach to remembering the tendencies of notoriously out of tune notes and will be very helpful for beginning or intermediate students as they become familiar with fingerings in the higher ranges. Cate Hummel’s article on this resource offers a better set of guidelines for tuning notes that are still problematic on the flute (see ). I do, however, believe that some of the tuning suggestions are unfortunately out of date. Century High Bands Flute Intonation Resources (1).pdf I like this PDF due to its very practical suggestions for tuning problem notes (“bad notes”). These fingerings will come in handy during exposed sections in the music or during measures of sustained pitches where having proper intonation with other instruments is vital to the harmonic structure of the piece.Ģ. Print this out and keep it in your music folder. Your Guide to Woodwind Intonation This is a great reference page not only for the practical tips on improving overall intonation (embouchure placement, cork alignment, tuning to harmonics, how to adjust), but the section covering alternate fingerings is also a great resource to have on hand during orchestral rehearsals or any other group rehearsals where you will be working with different instruments. Are you flat or sharp? What is your natural tendencies? Adjust based on these readings. Check in from time to time on sustained notes. If you are trying to tune slumped over with a weak air stream, your sound will likely be flat. Remember to play with good posture and a supported air stream.Turn the headjoint cap to the right to flatten or to the left to sharpen.
Make any adjustments by unscrewing the crown. Check your cork periodically by placing the end of your cleaning rod in your headjoint, lining up the line in the rod with the center of the tone hole. Bring these notes down by placing fingers from the right hand down on the keys one by one until the note is in tune.
0 kommentar(er)
